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“O Billy, it hurts the ears of my mind to hear you say those vulgar words.” May Nell, playing “man” for the first time in her life, looked up from the “rod of grade” that she was piling deftly with a broken shingle. The color from sun and exercise added much to her beauty. She was neither blowsy nor smudged like the other children, and her lawn frock was as spotless as in the morning. “Just to think I’ve got to heat up more water and fill this tank again for a good-for-nothing urchin like you! Begorra! It’s worth it though to see you get a good ducking!” Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor..

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“And I’m always going to be your little girl, too,” the child pleaded; “so Billy must be my papa’s little boy.” “Why do you think he would have whipped you?” For five hundred dollars a week he had pranced to the admiring vaudeville audience; but once let the artist lay bare his soul in real music and whispering reaches his ear. But there was no use complaining, no one could understand his disgust. “You’re George Rideout Smith’s kid, ain’t you?”.